Grandpa's Garage
Grandpa's Garage
With playful watercolour illustrations and rhyming text, Grandpa’s Garage follows in the footsteps of Amber’s first book, H is for Home: A Saskatchewan Alphabet. Although perfectly suited for the young people in your life, this book is an invitation to spark stories and anecdotes between generations. Grandpa’s Garage is “a place where things are kept and repaired. And most importantly, it’s a place where memories are shared.” The illustrations are done in Amber’s signature watercolour/ink style set on a natural paper.
ISBN 978-1-9995462-1-2
Written and Illustrated by Amber Antymniuk 2021
Printed and bound in Canada at Houghton Boston Printers, Saskatoon.
Grandpa’s Garage is respectfully printed on Treaty 6 Territory and the Homeland of the Métis.
Blow Creative Arts
Reviews
Grandpa’s Garage
by Amber Antymniuk
Published by Blow Creative Arts
Review by Shelley A. Leedahl
$22.00 ISBN 9781999546212
I’ve noticed that an increasing number of children’s authors—and particularly new writers—are opting to self-publish. Alternately, they could wait for months to hear back from a trade publisher regarding whether a book will be accepted for publication, then wait for up to several years (I’m speaking from experience: I had a book accepted in 2010 and released in 2020) for that book to hit the shelves. When one possesses artistic talent as well as literary talent, it makes especially good sense to self-publish, and that’s precisely what Saskatchewan creator and Arts Education teacher Amber Antymniuk did with Grandpa’s Garage.
Antymniuk’s second book for young readers (or listeners) explores the wonderfully diverse items that appear in “Grandpa’s Garage,” and each page features rhyming text in a large font, an appealing watercolour illustration, and enough white space to make the words and images pop. Antymniuk mostly makes it personal, describing things that I expect actually do reside in a relative’s garage, like “farm cats,” “An old radio tuned to the local station” and “a stack of manuals and a bent fishing fly,” but near the end she writes “Whether Grandpa’s Garage is a shop or a shed. Or a room beneath the stairs nearly bumping your head.” This transition away from the personal makes the story inclusive: anyone who has a grandfather (or grandfather-figure) in their life with a specific place where items are stored and repaired can imagine the interior of their own special person’s shop, shed or garage, and experience the warmth and love within that relationship.
In describing the precise items in “Grandpa’s Garage,” readers are able to glean not only a fine sense of the place, but also something of Grandpa’s character and hobbies. We learn that his “big red toolbox sits organized and neat,” so we can guess that he, too, is organized. The slightly tatty-looking stools beside the toolbox are there to welcome guests: Grandpa likes company. Bent nails and “some rusty old pails” demonstrate a frugal handyman. The colourful image of a fishing fly shows us that Grandpa’s an angler, and an old, handmade slingshot—one of the “small treasures that grandpa holds dear”—indicates that he’s nostalgic about his youth. The all-important cover image—a muddy pair of small, red rubber boots sitting next to a pair of equally muddy men’s work boots—suggests a warm, generational bond.
I appreciate how Antymniuk used the often gentle and tender medium of watercolour to portray items some might not consider paint-worthy, ie: the business end of a hammer, the rusty pail, a “hanging trouble light” and a power drill. Lovely contrast.